She designed the king's emblem on the festive decor that greeted him and was printed on the porcelain boxes given to him as a gift. One of Baruch's jobs for the government was the graphic and design preparations that accompanied the King Amanullah of Afghanistan's visit to Berlin in 1928, the first royal visit to the Republic after the Kaiser. In 1926, she began working for the Weimar Republic's Reichskunstwart (Reich Art Counselor) Edwin Redslob, who was responsible for the state graphic works: designing the symbols and images of the Republic, including stamps, coins, banknotes, certificates, flags, memorial sites, exhibitions and national holidays.
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One of the notable works was the design of the cover and letters of Bialik's book from 1923, Ketina Kol-Bo, inspired by a manuscript of the Bible copied in Spain in the 15th century by Moshe Ibn Zabara and the Yosef Ibn Chaim. Baruch also created covers for books by famous Jewish writers and artists, including Hayim Nahman Bialik, Shmuel Yosef Agnon, and Shaul Tchernichovsky. The letters of the masthead are rounder than the letters in the Prague Haggadah source, and the circular decorative adornment of their stalks even more flowery, however her rendering makes the medieval source immediately recognizable." Baruch chose the letters from the medieval manuscripts not because of their liturgical importance, but only because of the visual elements. Baruch designed the logo in style of the Prague Hagaddah from 1523 "She has retained the text’s most historically prominent feature namely the decorative circular shapes adorning each letter's stalk and the letters' particular "rhythm", as embodied in the relation between the horizontal and vertical strokes but also in the unique way space between letters is rendered. Rachel Wischnitzer saw the magazine as a "recombination of historical and modern material", and she ordered Baruch to design the logo as a mix between "modern and medieval in one visual element".
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Together with her teacher Ernst Böhm, Baruch worked for the Berlin publishing house "Rimon", established by Rachel and Mark Wischnitzer, which published a magazine on Jewish art, Rimon–Milgroim. The Book of Jonah was published in 1953, and the Book of Ruth in 1957, both with lettering done by Baruch and illustrated by Steinhardt. To prepare for that work she studied the medieval Jewish manuscripts and the Prague Haggadah in the library of the Jewish community in Berlin. A year later, in 1921, she drew the letters for the Passover Haggadah, which was decorated with woodcuts by Jacob Steinhardt, she also wrote Hebrew and German text. In 1920 she won the first prize for designing Christmas plates for the porcelain manufacturer of the Prussian Royal house.
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She attended the graphic and book art class led by Ernst Böhm she also took private courses in handwriting with Else Marcks-Penzig. Baruch studied decoration, illustration, graphics, and lettering.
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Page (Had Gadya) from Passover Haggadah, 1923įranzisca Baruch was born in Hamburg, Germany in 1901, and at the age of 17 was admitted to the Staatliche Kunstgewerbeschule Berlin (State School of Arts and Crafts).